Sunday, August 21, 2011

South Carolina Readers: Heads Up!




























Go listen to this very fine poet!

St. John of the Ladder Orthodox Church
701 Augusta Arbor Way
Piedmont (Greenville), SC  29673
864-299-1140

St. John of the Ladder Orthodox Church is centrally located in the Greater Greenville Area near the intersection of US 25S and I-185 (the ‘Southern Connector’), and can be accessed via Interstates 85, 185, 385 and US 25.




Sunday, August 14, 2011

A Woven Journey: A Cooperatively Written Short Story



What follows is a short story cooperatively written by the Hero’s Journey Class (May 2011).

Hope E. Rapson, Writing Instructor

Class Members

Julia Cline
Sarah Cline
Christopher McCort
Haley McCort
John Mark Porter
Jerryana Williams

A Woven Journey

 

     The yellow and red oak leaves crunched beneath Wallace’s worn black sneakers as the sixteen year old headed toward his thinking thicket. His mind filled with flashes of faces staring at him in the high school hallway. Were those eyes filled with pity, laughter, confusion, curiosity? Were those mouths talking about him? Were they speculating about his parents? Spreading rumors about the strange car in his driveway last night? Wallace had to get away and work through this; he needed to be alone.

     Crossing the dry stream bed, he though he heard the creaking of the rope of his tire swing. “Probably just wind,” he mumbled to himself. He pushed back the shrubbery, and out of the corner of his eye he saw something tumble onto the yellowing grass. Startled, Wallace stared wide eyed at the intruder. This is my turf! Anger saturated his mind; adrenaline startled his body.

     The thin girl slowly stood up and brushed dirt and leaves from her stone washed jeans. She had the look of a cornered bobcat.

     “Stay where you are!” she hissed.

     “Why?” Wallace exploded. “Who are you? What are you doing here?”

     “None of your business!”

     “This is my tree house and my tire swing. I come here…”

     “…to play? Tough! Today I was here first,” she finished.

     Wallace shook his head and looked down. “Now, let’s start over here.”

     The petulant girl raised her eyebrows and stared at him with her large dark eyes; her arms crossed and waiting.

     “My name is Wallace Ohne. I live in the brick ranch on Grey Stone Lane back there. Me and my….” he hesitated, then swallowed hard. “My dad and I build this retreat together.”

     He waited for a response. The girl flicked long black hair over her shoulder and began fingering the thick woven bracelet tied on her pale wrist.

     “Well, who are you?” Wallace paused to sit down on the mossy boulder beside him.

     “Why do you want to know?” The girl replied with distrust.

     Wallace shook his head. “Whatever! I don’t need this today.”

     He rose and stomped off, heading in the direction that he had arrived. Wallace’s stride was faster and louder as he headed home through the fallen leaves. No need to be quiet now; apparently the whole world knows about my hideout.

     He frowned and pulled his coat around his shivering body. It was early evening but there was already a chill in the air that seeped through his clothes and he was having flashbacks of his father towering over him, smiling and laughing in that same clearing. Perhaps he should just give up the space to the belligerent girl, whoever she was. He didn’t know if he could bear doing it. The place brought back memories, very good memories that reminded him of how much worse life had gotten. His family would never be the same now. Wallace shook his head and sighed as he saw the outline of his house through the trees. He swiftly climbed the steps to the back porch, slammed the screen door behind him, and muttered, “Now what?”

     He slouched through the kitchen and into the living room. He headed for his father’s old leather recliner. That was where his father usually sat to muse about the events of his day. He slumped into the comfort of the familiar chair. Why had his father and mother been taken away?

     The garage door opener grind interrupted this broken hearted plea. That would be Aunt Eloise, coming back from new Wal-Mart with the groceries. He knew she would want help. As he jumped up, the rickety recliner shifted and nearly fell over. “What a klutz!” Wallace whispered barely managing to keep it upright before he heard Aunt El calling him. He rushed to help. She is all I have now, he thought.

     While carrying in the brown bags of groceries, he noticed the only other house down Grey Stone Lane had lights on in every window. A couple of days ago, he had watched the men in tan uniforms carry numerous boxes from their moving truck. He was trying to remember the name the singers whose voice drifted out of the top bedroom, when his aunt called, “Wallace! I need those groceries to make your dinner!”

     After consuming a big plate of Aunt El’s spicy spaghetti, and after doing the dishes under the strict supervision, Wallace wandered back to the living room. He noticed that the seat cover of Dad’s easy on the floor tucked beneath the chair. He was astonished to find maps and photos under the papers. Strange, he thought. Dad is a neat freak; he wouldn’t normally store things like this…and he had been sitting here reading when they came for him. Instinctively, he gathered the papers, maps and photo and headed upstairs to his room. He spread them across the top of his desk and switched the study light to a brighter level to examine them.

     The papers were some kind of legal forms, the maps were unfamiliar, and the photos were in especially bad condition. The worst one had been burned with a match and all that was visible was a little dark haired girl next three sets of legs…one her size, probably a boy, and the other two? Definitely a man and woman…perhaps her parents? What was that wrapped around her upper arm? Turning the damaged picture over carefully, Wallace read, “2012 - Lydia Kate O.”

    Wallace’s conjecture was interrupted by a voice calling from downstairs. “Wallace, I need you to take this pie to the new family down the street. I hear they have a girl about your age.”

     “Okay,” Wallace called back reluctantly. He took the stairs by two; his mind racing over the details of his discovery. He’d finish this chore and get back to his room as soon as possible.

     Wallace picked up the apple pie and pushed his way through the front screen door. Hearing the familiar slam, he yelled over his shoulder, “I’ll be home soon, Aunt El.”

     At the new neighbor’s house, Wallace rang the doorbell. He jumped backwards when the girl from the clearing opened the door.

     “It’s you! What was your name… Wallace?” The girl asked, stammering from shock herself.

     He thrust the pie into her hands, and blurted out, “This pie is to welcome you to the neighborhood. It’s from my Aunt Eloise.”

     “Okay. Thanks.” She took the pie and turned to shut the door with her hip, lifting the foil up to inspect the pie.

     “Wait!” Wallace shouted and thrust his foot onto the door jam. He winced as the door made solid contact.

     With a roll of her dark eyes, the girl opened the door wide again. “What?!” she said tapping her foot impatiently.

     “That bracelet you’re wearing. Where did you get it?”

     “I have had it since I was a kid,” she quipped. Then suspicion flashed across her face. “Why do you want to know?”

     “Lydia, who’s here?” A man’s deep voice called out with concern and curiosity. Heavy footsteps sounded louder with each step.

     Wallace removed his foot when Lydia mouthed, “Got to go!” and began to shut the door again.

     “Meet me at the tree house mid-morning tomorrow,” Wallace urgently whispered as the door closed. Turning to go, he overheard her nonchalant answer, “Just the neighbor saying hello, Pop. With a pie to welcome us.”


******

     Wallace was waiting at the tree house. Lydia was nowhere to be seen. It was far past time for her to show up. “Where is she?” Wallace wondered aloud. As he nervously glanced at the entrance, he heard leaves crunching. Lydia suddenly appeared out of the shrubbery.

     “You’re late,” said Wallace.

     “Sorry! I had to wash the dishes,” she replied.

     With a sigh, Wallace sat down on a decaying log and motioned to the seat next to him.

     “I prefer to stand, thanks,“ said Lydia. “Now, why did you want to meet?”

     Wallace reached inside his orange back pack and delicately pulled out the burned photo and held it up for her to get a good look.

     “That bracelet,” she stammered in half voice fingering hers. “It looks like mine.”

     “Exactly the reason I called you here,” Wallace answered.

     Lydia sat down beside him in deep thought, staring into space. Could that little girl be me? If it is…why does Wallace, a guy I have never met before, have this photo?

     She had always been haunted by the feeling that she didn’t belong with her Pop and her Mom. Could I have been adopted?

     That’s when the two began to talk, really talk.


*****

     At noon the next day, Lydia and Wallace entered the Woodford Community Library. Lydia paused, surveying her surroundings. Several small worn sofas sat in the corner of the room alongside cheap wooden chairs. The rest of the room was taken up with books, and more books of every imaginable kind. She was surprised that so many could be crammed into such a small space.

     “This place is…” her voice trailed off.

     “Cozy?” Wallace filled in.

     “Not exactly the word that I was going to use,” she quipped.

     Ignoring the sarcasm in her voice, Wallace continued, “Alright, you start at the computers. Search for records from about sixteen years ago and after. I’ll look in the periodicals.”

     Nodding Lydia turns towards the computers while Wallace headed to the newspaper. He flipped through the newspapers, looking at the date. Ten, twelve, fifteen and, finally, sixteen years ago. “New family moves in,” one title announced. “John Burger places first in local spelling bee.” Nothing about birth…Suddenly, Wallace pocket buzzed. Pulling out his cell phone, he opened this text:

big find meet bak lib dor

     Wallace frowned, but wove around the library stacks to where the computer cubicle was. Lydia was gone. He turned toward the exit, and was surprised to see Aunt Eloise hurriedly looking through the juvenile section.

     “Aunt El, what are you doing here?” Wallace asked.

    Pausing for a moment his Aunt said, “Just getting some books for Mrs. Halus; she’s been sick.”

     “Did you see the neighbor girl as you were coming in? She was here doing research with me, but now I can’t seem to find her. Actually, maybe the security guard has seen her.”

     His aunt cut in hurriedly, “There’s no need.” Taking his arm and turning him around she commented, “I’m sure she’ll resurface.”

     Wallace, however, felt urgency of mind and resisted. “But I have something important to tell her. I need to find her now.”

     Breaking his Aunt’s firm hold, he turned and walked quickly to the guard standing outside the door of the library.

     Walking briskly to the checkout desk, Aunt Eloise quietly handed the librarian a small piece of paper. “Do you have this title?”

     “Yes. It’s in the basement storage stacks.”

     “Here comes the boy with the security guard; lead them to the second level down. Stall them as long as you can and make sure they remain unaware that you are trying to stop them. I need plenty of time to set the trap.”

     Wallace was having quite a different conversation. The guard ended up being one of his former Boy Scout leaders, “Sure, I’ll help you find her,” said Bob.

     The librarian approached them. “Ms. Ohne informed me that you had a question. May I be of service?”

     “Yes, Ma’m.” replied Wallace. “Have you seen a girl about my age with dark hair and pale skin?”

     “Oh, yes. I directed her to the first level of the basement; follow me this way.”

     Walking down a flight of stairs they reached a room full of magazines and newspapers. “I guess she left,” said the librarian. “She might have gone to the next lower level.” After the three reached the lowest level, Wallace paused in apprehension. Lydia was not there.

     The silence was broken with a loud “Now!” A dark clad assailant rushed toward them. Bob’s trained instincts took over. Fumbling for the light switch, he yelled, “Run!” Wallace dashed out of the doorway and ran up the stairs. Once he reached the ground level, he threw himself under the heavy library desk and tried to calm his ragged breathing. Controlling himself, he looked down on the papers he had been lying on and saw to his delight that one of them was the library’s floor plan. Studying it he realized that on the bottom basement there was a small chamber that led to the outside that was apparently for the conveyance of books to and from the library. Maybe he could go there to find Lydia.

     He cautiously rose to survey the area. Aunt El, looking down isles, had her back inches away from him. Sighing with relief, he whispered her name. Eloise turned around and hugged him, but with a forced smile that was foreign to him. The previous dark assailant seized Wallace, forcing him down the stairwell, and throwing him into a side room. Stunned by Aunt Eloise’s complicity and the suddenness of these events, Wallace hardly struggled as he was gagged, and bound hand and foot to a chair. Feet away from him sat Lydia bound but not gagged; her unconscious head sagged on her chest. Inches away from her lay Robert, the security guard, with a bloody head wound, possibly alive, but probably dead. He felt a needle enter the back of his shoulder, and as his surroundings began to fade out, he thought he saw his father and mother at his left, also bound and gagged.

     Waking up with a start, he looked for them again, but only Lydia and Coach Tyler remained. Using his body, he shifted back and forth inching toward Lydia. When he got close enough, he kicked at her leg. Getting no response, he tried a second and a third time. Only on the fourth attempt did he succeed in waking her. She woke up with a start and seeing the dead man next to her, would have screamed, if she had not also caught the warning look in Wallace’s eyes. He gestured with his eyes. She responded with whispered guesses, until she understood the plan.

     Wallace winced as the Lydia’s heavy chair fell onto his legs. Lydia wiggled towards Wallace’s side pocket and slowly, with her nose and mouth retrieved the Boy Scout pocket knife. She dropped it between Wallace’s legs. Pinning it with his knees as it fell, Wallace brought his face down to it and arduously pried it open with his teeth. Then he started cutting through the duct tape that bound Lydia’s hands. Once her hands were free, she whipped through Wallace’s bonds. At that very moment, they heard movement outside the door and both of them hurriedly reordered the chairs and their bodies in their former positions.

     “Pop!” gasped Lydia. Ignoring her, Wade “Pop” Stronsky strolled forward through the inside door. He put his hand on the Wallace’s shoulder, and brought out a hand gun from his jean jacket pocket; he twirled it, enjoying both his captives’ fearful looks. Placing his face right in front of Wallace’s and pointing toward Lydia, he whispered, “Don’t worry… you won’t be around long enough…for that… Ha!”

     His assailants murderous intentions emboldened Wallace. He tucked in his head as in submission, but with one adrenaline energized jerk, swiftly butted Wade under the chin sending him sideways hard against the concrete wall. Leaping forward, Wallace grabbed Bob’s stun gun and shot it three times. He shouted to Lydia, “Quick!” and grabbing Lydia’s arm, they rushed toward the outside door.

     Aunt Eloise opened that door and was thrown to the asphalt as Wallace and Lydia charged out. They looked ahead to see a man at the back of a white delivery truck hurriedly pulling down its back door. Wallace’s parents bound and gagged lay on the floor boards. Reflexively Wallace shot at the driver’s knees. He would not lose his parents again.

     The man went sprawling and with a scream dropped the knife he was holding. Lydia now firmly held Aunt Eloise by her grey hair with one arm twisted behind her. She kicked the knife out of reach as two police cars pulled up to the scene, their sirens screaming. Bob’s shift relief came out the library’s delivery entrance. He was holding a gun and a cell phone.

     Wallace ran to free his parents. The police relived Lydia of her cursing captive, but she hung back, tightly grasping Wallace’s pocket knife in her trembling hands.

     James and Anne Ohne embraced their son, and turned toward Lydia with tears streaming down their faces. Anne slowly stepped forward and gently touched Lydia’s bracelet. She whispered, “I knew when I put this on you that you would some day come back to us …our little girl.”

     “Mommy?” The child deep within Lydia, hardened by the need to survive, spoke clearly, yearning to know, to be known, and to belong.

     As Wallace and his father approached, Lydia collapsed into her mother’s arms.

     James pulled his reunited family into his strong embrace and said, “What a journey we’ve had, all because we wanted to protect you both from something like what just happened.”

     Wallace flashed a grin and pointed to Lydia’s bracelet. Then he pulled the half burned photo from his pocket and they both looked at it again.

     “One thing is clear,” Wallace said, “we have many more questions now than when we first met.”

     Lydia giggled, her eyes shining with relief and joy.

     With that, Wallace and Lydia looked toward their parents, eager to discover the mystery of their lives. They were no longer young neighbors stuck with each other and fighting for a place to belong, but brother and sister. Theirs was a woven journey.

END
 
 

Friday, August 5, 2011

Ed Pacht on How Nothing is Something

I recently received this message from Ed Pacht, a regular reader, and I am posting it with his permission.


Alice,

 
In the course of writing a response to that good article on workshops, it occurred to me that you might find some value in this piece. I've been trying to write every day (today was day #434) and some days have been without much inspiration. Some have a kind of writer's block, and that is what I make myself write about. I call the results, "Nothing Poems." This is one of those, which will be gathered together into a chapbook entiled, "Nothing: Poems about Not Writing Poems."


Why do I write?

I have to write.
When words within my head
jostle one another for a place
upon the paper or the screen
that blankly sits before me,
I have to write.
I have to set them down,
to let them speak,
to say the things they wish to say:
profound thoughts of highest wisdom,
incoherent babblings of an empty mind,
something worthwhile to be said,
or not.
I have to write.
I want to write.
It is in writing that I find myself,
whether what I find is what I’d like to find,
or whether what I find will make me cringe,
and wish that I were not the one I find.
I want to write.
I want to put my thoughts in print.
I want to share them as I read aloud,
and, I guess, to share with others what I am,
but why?
Am I really of much interest to those others?
Am I really worth my own attention?
Often do I ask myself these questions;
seldom do I find a worthy answer.
Do I think my writing to be worth the sharing?
Is it honest to be saying that I do?
Probably not,
but …
I have to write.

--ed pacht




Wednesday, August 3, 2011

Interview with Orhan Pamuk


The Turkish writer, Orhan Pamuk, was a winner of the 2006 Nobel Prize for Literature. He passionately embraces his Turkish identity and sees himself as a bridge between the East and West.  Pamuk's work is rooted in his beloved Istanbul, but he explores themes of universal human experience and yearning. An outspoken critic of those who limit free speech, he faced imprisonment in 2005 in Turkey and now lives in Mumbai. His eight novels include several international best sellers such as My Name is Red, Snow, and now The Museum of Innocence.  

Reporting on the recent resignation of Turkey's highest ranking military officers, Christopher Hitchens explains, "cooperation between ostensibly secular and newly pious may have had something to do with a growing sense of shame among the educated secular citizenry of big cities like Istanbul, who always knew they could count on the army to uphold their rights but who didn't enjoy exerting the privilege. The fiction of Orhan Pamuk, Turkey's complex Nobelist and generally liberal author, has explored this paradox very well. His novel Snow is perhaps the best dress rehearsal for the argument.

Because of course Pamuk is also the most edgy spokesman for the rights of the Kurds and the Armenians, and of those whose very nationality has put them in collision with the state. He has been threatened with imprisonment under archaic laws forbidding the discussion of certain topics, and he must have noticed the high rate of death that has overcome dissidents, like Turkish-Armenian editor Hrant Dink, who have exercised insufficient caution."

Nirmala Lakshman recently interviewed Pamuk in Mumbai on his life and work. Read excerpts from the interview here.

Monday, August 1, 2011

Paul Greenberg on Writers' Conferences


I went to the Arkansas Writers Conference the other day to talk about writing.

Talk about writing? Rather defeats the purpose, doesn't it? Like driving somewhere to walk. Or attending a conference to learn how to pray in solitude.

But I accepted the invitation anyway. I had a few things I wanted to say about the tendency to teach writing as a process. Much like churning out pre-cast concrete, no doubt. Or producing a political speech that, you can tell, has been written by asking all the politician's advisers for their, to use another unfortunate term: input. Because that's the accepted process. As in processed cheese.

There's a reason Mr. Lincoln wrote his Gettysburg Address, and the ineffable Second Inaugural, alone. Writing should concentrate thought, not diffuse it.

But we live in the age of writing coaches. You find them everywhere:

•At corporate headquarters.

•At conventions of writers, which is an interesting concept in itself, considering what a solitary business writing is, or ought to be.

•Or, you can consult a writing coach on your own. ("Have a seat, Count Tolstoy, and let a real pro show you how it's done. First off, you'll want to foreshadow Anna Karenina's character rather than just throwing her into some messy Russian household, don't you think? And this Vronsky character, he's still a bit of a blank. Your reader's got to wonder what Anna ever saw in him. If you could just bring him out, give him some strong convictions, maybe make him a political activist seeking social justice. ... But on the whole your plot has great potential. There are real possibilities here. You work this thing just right, and you could have a ... screenplay!")

As with any other craft - such as restoring furniture or auto body work or shoe repair - there ought to be a way to teach writing. I used to think so - before I tried to do it once a week at the Little Rock branch of the University of Arkansas. I soon found out there's no teaching it, no way to turn out a writer who wasn't essentially one before he fell into my clutches.

No talent, no writer. Yes, given enough time and inexhaustible patience, we might be able to produce a wordsmith that way - but not a writer.

Some of the well-trained even might be able to pass for writers among the undiscerning. Often enough, I feel as if I'm passing for one. A fellow could dine out on that kind of adulation. I know.

I've found that those impressed by the wannabe writer, the writer manque, aren't worth impressing. Unless maybe they have a nice big grant to hand out.

The surest sign of a writer worth reading is that he's not much interested in talking about writing at conferences or workshops. Or anyplace else.

Talking is one thing, writing quite another.

Now and then, somebody will want to talk to me about this great idea he has for an article or a book, usually only vaguely. I make it a rule to do him a great favor. I tell him to just write it up instead. Write, don't talk about writing. Show, don't tell. That way, there'll be something on paper, or at least on the computer screen, to work with: actual, written words.

For a year to the day, I attended an hourlong editorial conference every weekday morning at the old Chicago Daily News, and watched good ideas talked away daily.

The Daily News was a great newspaper when it still had a fine corps of foreign correspondents and a local columnist named Mike Royko. He was so local, so Chicago, he was a national treasure. That's what having a sense of place will do for a columnist. Or for a real writer, a Faulkner, a Barry Hannah, a Walker Percy, an Ellen Gilchrist.

But how do you teach anybody a sense of place?

Short answer: You don't. You just stand aside and get out of the way when a Buddy Portis comes roaring by, or rather comes trotting by in the perfect 19th-century prose of his soul-daughter Mattie Ross out of Yell County, she of, and with, "True Grit."

Teach somebody to write like that? At a conference? In a classroom? At a writers' workshop?

Please.

Kingsley Amis, who should never go unmentioned when writers are discussed, once said that everything wrong about his post-war era could be summed up in one word: Workshop.

Maybe that's because so much talking is done in workshops, while writing - good writing, at least - is done alone.

Writers, like other dangerous criminals, should come to know solitary confinement. It does 'em a world of good. No wonder prisons have incubated the best political writing, certainly in Russia, whether under tsar or commissar. (No matter how much Russia changes, it remains Russia.)

There are certain words that let you know at once that the kind of writing they describe will be certifiably, professionally bad. Words that sound as if they came out of an industrial manual.

For excruciating example:

Process.
Input.
Product.

Raymond Carver said that once a writer starts talking about technique, you know he's out of ideas.

Writing is simple enough. All you need do is walk into a room, sit down - alone - and look at that blank page staring you in the face like a cobra.

Then it is time to face the most terrifying of audiences, the one that can see through your every trick: yourself.


This column is based on a talk to the Arkansas Writers Conference by Paul Greenberg, editorial page editor of the Arkansas Democrat-Gazette.