Tuesday, August 19, 2014

Quote of the Week - Dorothy Sayers


I remember, years ago, being engaged in correspondence with a young man who was extremely enthusiastic about the psychology of the unconscious, and who insisted that the urge which issued in the writing of a story about a murder and the urge which issued in committing of a murder were one and the same, with no difference between them. I was writing murder-stories at the time and may have been prejudiced, but I objected that it did seem to me as though there must be a slight difference of some kind somewhere, since the results were so different. I added that society in general must be aware of the difference, since it rewarded the one result with royalties and the other with the gallows.--Dorothy L. Sayers (Introductory Papers on Dante, p. 4)


Wednesday, August 6, 2014

Quote of the Week - Dorothy Parker



"The cure for boredom is curiosity. There is no cure for curiosity."


Wednesday, July 30, 2014

Quote of the Week - Mary Heaton Vorse



"The art of writing is the art of applying the seat of the pants to the seat of the chair."--Mary Heaton Vorse, American writer (1881-1966)


Monday, July 28, 2014

Hawthorne's The Haunted Mind


Nathaniel Hawthorne

The American writer Nathaniel Hawthorne first gained attention with the publication of Twice-Told Tales in 1837. His best known piece, The Scarlet Letter, appeared in 1850. One of the fables in the Twice-Told Tales collection was "The Haunted Mind," a second-person account of the spirits that occupy the "intermediate space" between sleeping and waking. The story first appeared in The Token and Atlantic Souvenir, 1835, and two years later was included in Volume Two of Twice-Told Tales, American Stationers' Company.


The Haunted Mind
by Nathaniel Hawthorne (1804-1864)

What a singular moment is the first one, when you have hardly begun to recollect yourself, after starting from midnight slumber! By unclosing your eyes so suddenly, you seem to have surprised the personages of your dream in full convocation round your bed, and catch one broad glance at them before they can flit into obscurity. Or, to vary the metaphor, you find yourself, for a single instant, wide awake in that realm of illusions, whither sleep has been the passport, and behold its ghostly inhabitants and wondrous scenery, with a perception of their strangeness, such as you never attain while the dream is undisturbed. The distant sound of a church clock is borne faintly on the wind. You question with yourself, half seriously, whether it has stolen to your waking ear from some gray tower, that stood within the precincts of your dream. While yet in suspense, another clock flings its heavy clang over the slumbering town, with so full and distinct a sound, and such a long murmur in the neighboring air, that you are certain it must proceed from the steeple at the nearest corner. You count the strokes--one--two--and there they cease, with a booming sound, like the gathering of a third stroke within the bell.

If you could choose an hour of wakefulness out of the whole night, it would be this. Since your sober bedtime, at eleven, you have had rest enough to take off the pressure of yesterday's fatigue; while before you, till the sun comes from "far Cathay" to brighten your window, there is almost the space of a summer night; one hour to be spent in thought, with the mind's eye half shut, and two in pleasant dreams, and two in that strangest of enjoyments, the forgetfulness alike of joy and woe. The moment of rising belongs to another period of time, and appears so distant, that the plunge out of a warm bed into the frosty air cannot yet be anticipated with dismay. Yesterday has already vanished among the shadows of the past; tomorrow has not yet emerged from the future. You have found an intermediate space, where the business of life does not intrude; where the passing moment lingers, and becomes truly the present; a spot where Father Time, when he thinks nobody is watching him, sits down by the way side to take breath. Oh, that he would fall asleep, and let mortals live on without growing older!

Hitherto you have lain perfectly still, because the slightest motion would dissipate the fragments of your slumber. Now, being irrevocably awake, you peep through the half drawn window curtain, and observe that the glass is ornamented with fanciful devices in frost work, and that each pane presents something like a frozen dream. There will be time enough to trace out the analogy, while waiting the summons to breakfast. Seen through the clear portion of the glass, where the silvery mountain peaks of the frost scenery do not ascend, the most conspicuous object is the steeple; the white spire of which directs you to the wintry luster of the firmament. You may almost distinguish the figures on the clock that has just told the hour. Such a frosty sky, and the snow covered roofs, and the long vista of the frozen street, all white, and the distant water hardened into rock, might make you shiver, even under four blankets and a woolen comforter. Yet look at that one glorious star! Its beams are distinguishable from all the rest, and actually cast the shadow of the casement on the bed, with a radiance of deeper hue than moonlight, though not so accurate an outline.

You sink down and muffle your head in the clothes, shivering all the while, but less from bodily chill, than the bare idea of a polar atmosphere. It is too cold even for the thoughts to venture abroad. You speculate on the luxury of wearing out a whole existence in bed, like an oyster in its shell, content with the sluggish ecstasy of inaction, and drowsily conscious of nothing but delicious warmth, such as you now feel again. Ah! that idea has brought a hideous one in its train. You think how the dead are lying in their cold shrouds and narrow coffins, through the drear winter of the grave, and cannot persuade your fancy that they neither shrink nor shiver, when the snow is drifting over their little hillocks, and the bitter blast howls against the door of the tomb. That gloomy thought will collect a gloomy multitude, and throw its complexion over your wakeful hour.

In the depths of every heart, there is a tomb and a dungeon, though the lights, the music, and revelry above may cause us to forget their existence, and the buried ones, or prisoners whom they hide. But sometimes, and oftenest at midnight, those dark receptacles are flung wide open. In an hour like this, when the mind has a passive sensibility, but no active strength; when the imagination is a mirror, imparting vividness to all ideas, without the power of selecting or controlling them; then pray that your griefs may slumber, and the brotherhood of remorse not break their chain. It is too late! A funeral train comes gliding by your bed, in which Passion and Feeling assume bodily shape, and things of the mind become dim specters to the eye. There is your earliest Sorrow, a pale young mourner, wearing a sister's likeness to first love, sadly beautiful, with a hallowed sweetness in her melancholy features, and grace in the flow of her sable robe. Next appears a shade of ruined loveliness, with dust among her golden hair, and her bright garments all faded and defaced, stealing from your glance with drooping head, as fearful of reproach; she was your fondest Hope, but a delusive one; so call her Disappointment now. A sterner form succeeds, with a brow of wrinkles, a look and gesture of iron authority; there is no name for him unless it be Fatality, an emblem of the evil influence that rules your fortunes; a demon to whom you subjected yourself by some error at the outset of life, and were bound his slave forever, by once obeying him. See! those fiendish lineaments graven on the darkness, the writhed lip of scorn, the mockery of that living eye, the pointed finger, touching the sore place in your heart! Do you remember any act of enormous folly, at which you would blush, even in the remotest cavern of the earth? Then recognize your Shame.

Pass, wretched band! Well for the wakeful one, if, riotously miserable, a fiercer tribe do not surround him, the devils of a guilty heart, that holds its hell within itself. What if Remorse should assume the features of an injured friend? What if the fiend should come in woman's garments, with a pale beauty amid sin and desolation, and lie down by your side? What if he should stand at your bed's foot, in the likeness of a corpse, with a bloody stain upon the shroud? Sufficient without such guilt, is this nightmare of the soul; this heavy, heavy sinking of the spirits; this wintry gloom about the heart; this indistinct horror of the mind, blending itself with the darkness of the chamber.

By a desperate effort, you start upright, breaking from a sort of conscious sleep, and gazing wildly round the bed, as if the fiends were any where but in your haunted mind. At the same moment, the slumbering embers on the hearth send forth a gleam which palely illuminates the whole outer room, and flickers through the door of the bed-chamber, but cannot quite dispel its obscurity. Your eye searches for whatever may remind you of the living world. With eager minuteness, you take note of the table near the fire-place, the book with an ivory knife between its leaves, the unfolded letter, the hat and the fallen glove. Soon the flame vanishes, and with it the whole scene is gone, though its image remains an instant in your mind's eye, when darkness has swallowed the reality. Throughout the chamber, there is the same obscurity as before, but not the same gloom within your breast. As your head falls back upon the pillow, you think--in a whisper be it spoken--how pleasant in these night solitudes, would be the rise and fall of a softer breathing than your own, the slight pressure of a tenderer bosom, the quiet throb of a purer heart, imparting its peacefulness to your troubled one, as if the fond sleeper were involving you in her dream.

Her influence is over you, though she have no existence but in that momentary image. You sink down in a flowery spot, on the borders of sleep and wakefulness, while your thoughts rise before you in pictures, all disconnected, yet all assimilated by a pervading gladsomeness and beauty. The wheeling of gorgeous squadrons, that glitter in the sun, is succeeded by the merriment of children round the door of a school-house, beneath the glimmering shadow of old trees, at the corner of a rustic lane. You stand in the sunny rain of a summer shower, and wander among the sunny trees of an autumnal wood, and look upward at the brightest of all rainbows, over-arching the unbroken sheet of snow, on the American side of Niagara. Your mind struggles pleasantly between the dancing radiance round the hearth of a young man and his recent bride, and the twittering flight of birds in spring, about their new-made nest. You feel the merry bounding of a ship before the breeze; and watch the tuneful feet of rosy girls, as they twine their last and merriest dance, in a splendid ball room; and find yourself in the brilliant circle of a crowded theater, as the curtain falls over a light and airy scene.

With an involuntary start, you seize hold on consciousness, and prove yourself but half awake, by running a doubtful parallel between human life and the hour which has now elapsed. In both you emerge from mystery, pass through a vicissitude that you can but imperfectly control, and are borne onward to another mystery. Now comes the peal of the distant clock, with fainter and fainter strokes as you plunge farther into the wilderness of sleep. It is the knell of a temporary death. Your spirit has departed, and strays like a free citizen, among the people of a shadowy world, beholding strange sights, yet without wonder or dismay. So calm, perhaps, will be the final change; so undisturbed, as if among familiar things, the entrance of the soul to its Eternal home!

END

Related reading: Salem's Favorite Son: Nathaniel Hawthorne


Wednesday, July 23, 2014

Quote of the Week - John Irving




"A novelist's vice usually resembles his virtue, for what he does best he also tends to do to excess."


Tuesday, July 15, 2014

Divorce Episcopal Style


Divorce Episcopal Style
by Alice C. Linsley

Attempts have been made to save our marriage, but pleading, reasoning, counseling, rebuking, threatening, tantrums, time outs, interventions and fervent prayer have not mended what was once a lovely and meaningful relationship. One partner wants to stay in the orthodox house and the other has moved out.

Having gone through divorce I recognize the painful slugging through another day, wondering when will this finally be over? I know from experience that recovery is long and never fully realized since there are reminders that prick the heart and make you long for what has been lost. We won't sit in the same pew anymore. We won't plan activities together. We won't sing praises under the same vaulted ceiling and admire the same stained glass windows. Passing that sign at the edge of town makes me angry because The Episcopal Church doesn't welcome me ... anymore.
 
I try to understand how this came to pass. I think back and begin to see the little signs that we were growing apart. I thought we were speaking the same language. Now I realize that familiar old words in your mouth took on unfamiliar meanings.

I listened while you told me of your dreams and plans and gradually it dawned on me that I wasn't included. And when I pointed this out to you, your response was to make me doubt myself, as if there were something seriously wrong with me.

The arguments became more frequent and unkind words were spoken. Even with wise counsel we grew farther apart and dreaded meeting. Why rehash it all again? Here I stand, I can do no other than uphold what has been revealed. There you stand, upholding your dream of a new church, your new theology. There is no ability to dialogue now, only sullen silence.

At night I cry on my bed, hoping that the children won't hear me. They have been hurt enough. I pray that you will not succeed in your attempts to take them from this orthodox house.

You told me that you needed space and time to think, but you spend all your time with your trashy mistress. She loves it when you talk dirty. She thinks I'm a loser. You buy costly gifts for that "Jezebel, who calls herself a prophetess. By her teaching she misleads my servants into sexual immorality." (Rev. 2:20)

Why weren't you honest? Why not admit that you were unfaithful and wanted to go with her instead of me? At least then I would have some reason to respect you. You tell me this isn't about sex but about freedom. You are correct. You have the freedom to choose, but once the divorce papers are signed it will be final.

My attorney tells me that the papers are in the mail.

 

Tuesday, July 8, 2014

Quote of the Week - Fannie Hurst




“Writing is a chore. It cracks your bones and eats you, and yet it dominates you. You hate it while you love it.”--Fannie Hurst