Thursday, February 28, 2013

Kayaking: A descriptive essay


Hannah O’Malley (Grade 7)


On clear days when we’re done with schoolwork, my mom will order my sister and me to go outside. We’ll tromp out in the afternoon light, unlock the garage door with a struggle, and fetch our orange life jackets and yellow paddles. If, as we click our life jackets on, we can hear and feel an inquisitive wind combing through the trees and brushing our faces with soft hands, we grin and say it will be a good day.

Since our twin kayaks are stored below the house, I always have to a venture there to fetch them. Impassively, they wait like faithful pets in the cold, stale air and the damp, orange sand which seems to be below every house. Ducking my head, I clamber down there, shoving the kayaks to the square of light so that my sister can pull them the rest of the way out, trying not to scrape their sandy undersides on the ground. Then I emerge back into the light, unfolding from the cramped position that the maze of pipes dictated.

Chatting and laughing about things sometimes shallow and sometimes important, we carry the kayaks to the water’s edge by means of a well-trodden path. If the breeze is indeed strong, we can see ripples in the pond lying lazily before us. As my boots sink slightly in the mud, I heave the kayaks to the water’s edge, watching as their movement suddenly shifts from forced scraping to smooth gliding.

Clutching our paddles, we gingerly step into the kayaks, splattering their interiors with dark mud in the process. With effort, we shove away from the shore. As if I’ve never experienced it before, the initial feeling of skimming above the water’s dark surface always catches me by surprise. It inspires an eerie sense of weightlessness and free movement, even if the only thing propelling me forward is the wind. On the water I can see many things mirrored- the sky, deep blue dappled with the orange clouds of coming sunset, and the sun itself, its watchful eye falling near the treetops. Below the surface, which ripples in the kayak’s wake like damaged glass, I can make out green life reaching upward like the arms of a drowning man and other plantlike things that I can’t name, coated with algae.

It was about a year ago now on Christmas Day when my sister and I received our kayaks. Bubbling with ecstasy to finally be able to explore the water we had eyed for so long, we suffered through a lengthy explanation on the life jackets and paddles.  Despite the tenuous initial entrance into our kayaks, I was soon confident in my new kayaking abilities. When we grew tired of simply gliding around the pond and together decided to investigate the small island perched like a ship in the center of the water, it took a few tries to cozy up to the island’s edge. As I stood, my kayak wobbled nervously; nevertheless, I doubted that I would actually fall. At the time, I thought of falling at such a moment something that one would worry about but that would never actually happen. It did. My mom later apologized profusely for laughing as she did, almost doubled over on the home shore, but I hadn’t noticed her merriment at all. 

When floating in silence on one summer day, I was alone near the far edge. On that side of the pond, the shore is not gradual but rather a steep bank and the massive trees lining the edge stretch out their bony fingers over me. That particular day, I was staring over the side of my kayak in solitary reflection when I saw something I’d never seen before and never had since: fish, about a foot long and dyed an oily black by the shadows, milling around in a huge cluster of at least fifty. Previously, I’d only seen one or two fish at a time, but they were there then. By the time I had dragged my sister over to see, they had vanished.

When the sun dips below the treetops and the evening glow fades into hazy shadow all at once, the lights at our house and our neighbors’ house flick on. As the water fades from bright reflection to murky shadow, my sister and I make for the shore, leaving the mysterious world of a small pond behind in the growing dusk, waiting for our return.


END

Friday, February 22, 2013

Funeral by the Sea


About this poem, Chandler writes, “I recently had the opportunity to go to the beach with my family, and I was inspired to write this poem. I had gone to the funeral of my best friend's great grandmother, and it poignantly reminded me that we are truly composed of dust, and to dust we shall return. I also was greatly cheered that death is a passage into a better world, and honestly, I cannot wait to get there.”


Funeral by the Sea

I stand here now beside the sea,
That presence so awe-filled for me,
But I watched death upon this day,
Reminded once more not all is gay.
Though now I am young and bright,
Someday I’ll be gray, old and white.

Though I now linger here,
A ship awaits on golden pier,
To carry me into the west,
And there I picture life at best.
My mind, like the breaking waves,
Searches for a ship that saves
Me from a watery death.

While yet I can draw a breath,
Remind me, Lord, that I am lent,
And though to this earth I am bent,
A day is coming when I will die,
And my essence from this soul shall fly.
In the earth put my corpse will come to be,
But would not it be better to die at sea,
Sailing in my ship so grey,
Awaiting the break of a new day?

I hear the wind sing in my ears,
It softly blows away my fears,
So when my ship comes back for me,
No fears I’ll have to die at sea.
And this is why the sea means sight,
I’ll see it and that oldest Light.
Give me strength to be true,
And brave and ever faithful to You.

When I die, I hope they’ll mourn,
But on that day shall come my morn,
The light I bear will glimmer and glow,
Until the sea winds away shall blow
My ship of grey, and then I will see,
The shores of white that wait for me.
A new day in a golden land,
As I step onto that shore’s white sand.

A sweeter song shall play in my heart,
As I come to rest my Maker’s art
complete shall I be at last,
When my ship the quay has passed.
And I will fall at my Captain’s feet,
No more ashamed of Him to meet
Because when I am old and gray,
I’ll be ever closer to the break of day.

--Chandler Hamby


Other poems by Chandler Hamby include Screaming Fire (poem for the Fourth of July); The Sunset Crowns the Day; The Great Saying; Sin's Solvent: A High Demand


Wednesday, February 6, 2013

The Cairo Trilogy



The Cairo Trilogy includes three novels by the Egyptian writer Naguib Mahfouz. These novels were published in 1956–57. They follow the life of a Cairo family through three generations from 1917 to 1944. Mahfouz was the first Arab writer to be awarded the Nobel Prize in Literature.

Egyptians regard the hero of Palace Walk, Ahmad abd al-Jawad and his wife Amina as archetypal figures.

In Palace of Desire, attention focuses on their sons, the sensual Yasin and the intellectual Kamal. Kamal is an autobiographical portrait of Mahfouz. Mahfouz describes how he began to write. "I started writing while I was a little boy. Maybe it's because I was reading a lot of books I admired, and thought that I would like to write something like that someday. Also, my love for good writing pushed me."

In Sugar Street the grandchildren grow up and are drawn into the conflict between the Muslim
Brotherhood and the Communists. In this trilogy Mahfouz writes “a history of my country and of myself.”

These novels are regarded as his best work.

Naguib has said, "If the urge to write should ever leave me, I want that day to be my last."